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Why The Ashlar

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Generated January 25th, 2026 • gpt-4o-mini

Bro David Searle's paper "Why the Ashlar?" explores the significance of the perfect and rough ashlar in Masonic tradition. The perfect ashlar, a smooth cube, symbolizes the culmination of an apprentice's skills, often presented during admission to a lodge as proof of craftsmanship. It is suggested that this piece was examined for quality by the Worshipful Master and Wardens, and successful candidates received a personal mark. The rough ashlar represents the Entered Apprentice, symbolizing an unrefined state, while the perfect ashlar embodies the polished Fellow of the Craft, highlighting moral and educational development. The paper references historical practices, such as the Melrose No 2 MS of 1674, which required apprentices to produce an "apprentice piece" for assessment, emphasizing the importance of practical skill over literacy. This exploration underscores the dual roles of the ashlar in operative and speculative masonry, linking craftsmanship with moral and ethical growth within the fraternity.

Author:

Bro. Davis Searle

Created:

December 17th, 2025

Last Updated:

February 18th, 2026

Document Type:

manual

Category:

ritual and_ceremony

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Short Papers Competition 2009 © 2010 Internet Lodge and the author Paper 1/2009 Title Why the Ashlar? Author Bro David Searle – England The Perfect Ashlar. A “perfect ashlar” in speculative masonry is a smooth stone in the form of a perfect cube.
In operative terms a “perpend” ashlar is a large rectangular stone with smooth ends used to bond the inner and outer walls [1]. - the equivalent of a wall tie in a brick building of today. The O.E.D. states
that the word perpend is late middle English and probably derived from the Roman “perpannius” meaning through the wall.
It is probable that the “perfect ashlar” in operative freemasonry was an “apprentice piece” [2] and as such was small in order that it could be easily carried. It was made by the apprentice at the end of his apprenticeship and on applying for admission to his lodge he would have presented this piece as a proof of his craftsmanship. Alternatively it has been suggested the candidate was placed at the South East corner of the Lodge with a rough ashlar and from it had to create a perfect ashlar, with the brethren witnessing this process, to ensure that it was his own work [3] and not that of another. As part of the admission ceremony the piece would hav e been examined and tested for squareness, size, surface finish etc. by the Worshipful Master and his Wardens and assuming it passed the test he would be admitted as a fellow of the craft [4] and given his personal “mark” which he would carve into the stone. [There is evidence that in early Scottish Freemasonry the giving of a mark was included in the degree of the Fellow of the Craft whilst in English Freemasonry it is a separate degree which is, unfortunately, not recognised by the United Grand Lodge.] On applying for employment on a site, with a new employer, and where there was no Mason in a position to vouch for him, the applicant would produce his ashlar, bearing his mark, and communicate the “sign, token and word” as proof of his being a Fellow of the Craft. In the old charge known as the Melrose No 2 MS of 1674 there is a rule that requires “ Apprentices to furnish essays to prove their skill, before being made “frie masons”. The O.E.D. states that in this period the meaning of essay was similar to that of today’s assay and meant to “put to the proof, try, to test the nature, excellence fitness etc. of”. Since at this time the majority could not read or write I would therefore suggest this rule should be interpreted as the apprentice had to produce an “apprentice piece” or perfect ashlar for testing rather than that he had to be able to write, and present, an essay. 1 See “Freemason’s Guide and Compendium” by Bernard E. Jones 2 There are many examples of such pieces produced by trades such as cabinet makers and such pieces are now collectables. 3 See “Did you know this – too?” - Rev. Neville Barker Cryer 4 In operative masonry and, previous to the middle of the 17th century, in speculative masonry there were only two degrees that of a Fellow of the Craft and a Pass’d Master. Short Papers Competition 2009 © 2010 Internet Lodge and the author The Rough Ashlar. The rough ashlar was most probably introduced by the speculatives with the creation of the entered apprentice degree and the associated allegory and symbolism. The Symbolism. In speculative freemasonry the rough ashlar is said to represent the Entered Apprentice - rough and uneducated whilst the smooth ashlar represents the Fellow of the Craft - polished and educated with a strong moral code.