Bro Roger Marjoribanks explores the legend of Hiram Abiff in the context of Masonic teachings, emphasizing the myth's role in illustrating the virtue of fidelity. Hiram's refusal to betray his trust, even in the face of death, encapsulates the Masonic principle of "death before dishonor." The paper raises questions about the narrative's inconsistencies, particularly regarding the claim that the secrets of a Master Mason were lost after Hiram's death, despite two others knowing them. Marjoribanks suggests that the loss pertains to the legitimate means of communication among the three Masters rather than the secrets themselves. He addresses the concerns of newly initiated Master Masons regarding the concept of "substituted secrets," proposing that true Masonic secrets reside within the Mason's heart as he advances spiritually. The paper advocates for mentors to engage with new Masons on these complexities, fostering understanding and enlightenment within the lodge.
Bro Roger Marjoribanks
December 17th, 2025
February 27th, 2026
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history and_heritage
Short Papers Competition 2009
© 2010 Internet Lodge and the author
Paper 2/2009
Title The Powerful Myth of Hiram Abiff
Author Bro Roger Marjoribanks – England
Brethren, let us consider for a moment t he legend of Hiram Abiff as told in our 3 rd Degree ceremony,
remembering that what we have is not the Hiram of Biblical histor y but a powerfully mythical figure
designed to illustrate dramatically an important Masonic lesson - the s upreme importance of fidelity.
Hiram, although faced with the imminent prospect of death, replies firmly that “he would rather suffer death
than betray the sacred trust reposed in him.” He is duly murdered, having clothed the well-known saying
“death before dishonour” in flesh and blood. Whether the story was a revival in the 1720s of an old
dramatic tale of our ancient operat ive brethren or invented out of whole cloth cannot now be determined
for certain; but the lesson imparted is both dramatic and clear - that se crecy and fidelity to one’s brethren
are supreme Masonic virtues. Thus the instructions contained in the Charge to the Initiate are reinforced.
There is a further mystery in this story: if, as Hiram is made to say, the secret of a Master Mason is known
to “but three in the world” - King Solomon, King Hiram and himself - how can his death cause Solomon to
say later that as a result “the secrets of a Master Mason were lost”; surely there were still two people
who knew them? This just might be an oversight by t he story-teller; the only sa tisfactory answer I have
come across is that it was not so much the secrets themselves that were lost but any legitimate method of
communicating them, which required the co-operation of the three Masters, rather as such communication
in our chapters requires. Just as a triangle is a perfectly rigid figure when complete, but swings uselessly
when one is removed, so it is envisaged is the case with the secrets of a Master Mason.
Finally, brethren, a new-made Master Mason may well ask why he is being fobbed off with mere
“substituted secrets,” when it is well known that the three degrees of the Craft form a complete whole.
This section is quite deliberately in troduced, and is clearly integral to the ceremony. Some may say that
exaltation to the Holy Royal Arch is required for co mpletion, but a fairly re cent ruling destroys that
comforting illusion. Otherwise, differi ng explanations have been given, no tably by Rev. N. B.Barker-Cryer
and Julian Rees 1. I should not presume to choose betw een various choices, though my personal
preference is for Rees’s suggestion that the genuine secrets of a Master Mason are to be found within the
Mason’s heart as he progresses in Masonic spirituality.
Whatever our interpretation of the problems raised by the story of Hiram, there can surely be no doubt that
the new-made Master Mason has a right for his mentors within the lodge to confront these difficulties -
very genuine ones for an intelligent br other - with him, in the hope that for him the light may shine in the
darkness.
1 E.G. in Barker-Cryer’s “Did You Know This, Too?” and Rees’s “Making Light.” Rees also
confronts the problem of the “loss” of the secrets, referred to earlier.